Tune-In Music Festival: ANOTHER LOOK AT HARMONY– PART IV
Sunday, February 26, 2012 at 7:30pm
~SOLD OUT~
ANOTHER LOOK AT HARMONY– PART IV
Michael Riesman, Organ
Conducted by James Bagwell
The Collegiate Chorale
Brooklyn Youth Chorus
Originally composed in 1977, Another Look at Harmony – Part IV features a 100-person-strong chorus accompanied by Philip Glass’ Music Director and Organist, Michael Riesman. The chorus will be comprised of The Collegiate Choral and the Brooklyn Youth Chorus. The musical themes of this piece feed directly to Glass’s well-known masterwork, Einstein on the Beach and the epically-scaled performance is a fitting conclusion to the Tune-In Music Festival, which celebrates Philip Glass’s extraordinary impact on the musical, artistic and humanistic threads of all our lives.
Run Time: 62 minutes. No Intermission.
Major support provided by the New York City Department of Cultural Affairs, The Reed Foundation, the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew Cuomo, the New York State Legislature, and The Amphion Foundation, Inc. and the Rodgers & Hammerstein Foundation.
2012 Season Sponsor:
general information
TICKETS
$35, $15*
Run Time: 62 minutes. No Intermission.
Or CALL
Park Avenue Armory Ticket Hotline
(212) 933-5812 (10:00am–6:00pm M-F)
Purchase tickets for wheelchair and companion seat locations by phone
(212) 933-5812 (10:00am–6:00pm M-F).
FESTIVAL SCHEDULE
February 23–26, 2012
Kaddish
Thursday, February 23, 2012
7:30pm
Tickets: $45, $25*
Philip Glass and Patti Smith:
The Poet Speaks
Friday, February 24, 2012
7:30pm
Tickets: $45, $25*
~SOLD OUT~
Music in 12 Parts
Saturday, February 25, 2012
5:00pm
Tickets: $50, $30* (Boxed dinner available for $30, $25 vegetarian)
~SOLD OUT~
Afternoon Concert
Sunday, February 26, 2012
2:00pm
Tickets: $35, $15*
Artist Talk: Composers in Conversation
Sunday, February 26, 2012
5:00pm
Tickets: $10
Another Look at Harmony – Part IV
Sunday, February 26, 2012
7:30pm
Tickets: $35, $15*
~SOLD OUT~
*Casual seating with cushion directly on drill hall floor at stage level or seats in last row of side sections.